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POEMS

POEMS

  • 1961

    Brave Lad

    The trees weep, 

    the bells and your friends weep.

     

    Manly at work

    manly at home

    you spoke and our neighborhood

    was full of birds.

    You stretched out your hand

    and plucked the moon

    just as Death plucked you

    like a flower one night.

     

    The fishing boats weep

    the waves and your friends weep.

     

    A stalwart at the oars

    a fine fellow at a party.

    Secretly the girls embroidered

    dreams, the sun, the moon

    for you, they embroidered their love

    and set sails on it.

     

    The sailors weep

    the clouds and your friends weep

     

    Brave lad, your mother wrapped herself in black,

    storm and cloud wrapped your friends

    the harbor was deserted, the sea abandoned

    and the sun stood still and moves no more.

     

  • 1962

    My April

    My fair April

    and perfumed May

    heart, how can you bear up

    amidst so much love

    and so much beauty.

     

    The neighborhood is full

    of songs and kisses

    my girl is called Lenio

    but I keep it a secret.

     

    My pale star

    my moonbeam

    my heart hangs

    from your delicate brow

    like a bird from

    a limed twig.

     

    My flower, my sweet flower

    and perfumed rose

    I’ll come to your mother

    to ask for her blessing

    and for the mate I love.

     

  • 1962

    The Dream

    Mother, you had two sons,

    two trees, two rivers,

    two Venetian castles,

    two mint bushes, two joys.

     

    One went to the East

    the other to the West

    and you alone between them

    speak, you ask the sun:

     

    Sun, who sees the mountains

    who sees the rivers too,

    wherever you see our troubles

    and mothers who are poor,

     

    If you see Pavlos call me,

    if you see Andreas, tell me.

    I raised them with a sadness

    I bore them with a sob.

     

    But they leave mountains behind 

    and cross the deep rivers.

    Each one seeks the other

    to fight him to the death.

     

    And there on the highest peak

    up on the highest ridge,

    they lie beside each other

    dreaming the same dream.

     

    Both run to their mother

    lying on her deathbed;

    together they reach out

    their hands to close her eyes

     

    and they plunge their knives deep

    down into the earth

    and water gushes out

    to drink, to quench one’s thirst.

     

  • 1962

    Lament

    MOTHER
    They’re bringing me my son, my slain son
    They told me they’re bringing him from the creek bed
    and I’ve come out to meet him.
    Do you know his name?
    CHORUS
    We know!
    MOTHER
    Do you know how old he was?
    CHORUS
    We know!
    MOTHER
    Do you know how tall he was?
    CHORUS
    We know how tall he was and how handsome and how good.
    MOTHER
    When did they see him for the last time?
    CHORUS
    High on the hill!
    Where his heart was he had a bird and it was singing!
    And they’re taking him to his friend the sun!
    MOTHER
    My son was wearing clean clothes,
    he changed them this morning before he left.
    CHORUS
    He knew he was going to a wedding. That he was going to a festival!
    MOTHER
    The festivals and joys of death.
    CHORUS
    He was handsome as a tree! Tall as a castle!
    Sweet as milk! Calm as death!
    MOTHER
    My son had some small change in his pockets. I gave it to him last evening.
    CHORUS
    He knew he was going to drink and have a good time.
    MOTHER
    The wine and celebrations of death.
    CHORUS
    He was stronger than life and more righteous than the right.
    MOTHER
    My son had love; they settled his score this morning.
    CHORUS
    Today they settled his score because he had so much love!
    MOTHER
    Do you know how the world will be without my son?
    CHORUS
    We know.
    MOTHER
    How will the sun and the day be?
    CHORUS
    The day a viper and the sun pain and the world an incurable wound.
    MOTHER
    They’re bringing me my slain son.
    They told me they were bringing him from the creek bed.
    I couldn’t bear to go any further.
    Do you know his name?
    CHORUS
    Jesus
    MOTHER
    Do you know his name?
    CHORUS
    Petros, Hans, Yuri and Liu Tse!
    He tied the sun to the end of a string and played with it like a kite.
    MOTHER
    But is it true? My boy was poor. He didn’t know how to read.
    CHORUS
    A, B, C, D,
    He’ll learn the alphabet now, counting the stars
    taking the bullets out of his skin.
    MOTHER
    Bullets, my sweet bullets,
    go sweetly into his flesh.
    Don’t hurt him too much.
    Go gently, so he won’t notice you and wake.

  • 1962

    The Chain

    I turn the heavy chain

    into a swallow

    I turn the dark prison

    into open sky.

    Together we cut

    the heavy chain

    I and you and you and you.

    We cut it together

     

    Break the chain with bars!

    Make the chain again with waves!

    Break the chain with bars!

    Make the chain with clouds!

    Break the chain with shame!

    Make the chain with lilacs!

    Break the chain with the hook!

    Make the chain with the Reveille!

    Break the chain and the prison!

    Make the chain body by body!

     

    I turn the chain that speaks

    into a thunderbolt!

    I turn your luxurious palace

    into a prison!

    I and you and you and you

    make the speaking chain together!

    Freedom is won!

    Freedom is won!

    Kitsos  shouted

    Slaves, rise up!

     

  • 1962

    One Evening

    One evening

    they bound you to the cross.

    They drove nails into you,

    they drove nails into my entrails;

    they bound your eyes,

    they bound my soul.

     

    One evening

    they tore me in two.

    They robbed me of my sight

    they took my touch away

    they left me only my hearing

    so I could hear you, my son.

     

    One evening

    like the golden eagle

    he soared over the seas

    he soared over the fields

    he made the mountains bloom 

    and all people rejoice.

     

  • 1962

    The Tango of Efialtis

    Who doesn’t know Efialtis?

    Efialtis was the first traitor!

    Then treachery was still a sin!

    Gods and men punished the traitor severely.

    Who doesn’t know Efialtis?

    Later treachery became a profession!

    The traitors would go to work,

    like the shop-keepers to their stores.

    They sold their merchandise

    and took their wages every month.

    They married amongst each other

    so as not to betray the lineage of the race!

    And yet the whole world remembered

    for so many years the story of Efialtis.

    To the point where treachery became a virtue!

    It became a duty

    an honorable citation was decreed;

    “In testimony to the great treachery

    of the modest traitor, the fatherland

    expresses its gratitude.”

    Who remembers Efialtis any more?

     

  • 1962

    Betrayed Love

    Midnights when the hours merge

    my betrayed love

    midnights when our hearts merge

    my betrayed love.

     

    Ding, dong, ding, dong, dong,

    marks the end of our love.

    Two birds, two doves

    journey amid the stars.

     

    Midnights when the sun is far away

    my betrayed love

    midnights when our lives are close

    my betrayed love.

     

    Ding, dong, ding, dong, dong

    marks the end of love.

    Two birds, two doves

    journey amid the stars.

     

    Midnights I’ll wait for you

    my betrayed love

    when the moon disappears in the darkness

    my betrayed love.

     

    Ding, dong, ding, dong, dong,

    marks the end of our life.

    Two birds, two doves

    journey amid the stars.

     

  • 1962

    Pavlos and Nikolio

    They’re taking Pavlos and Nikolio

    on a voyage

    in a boat without rigging,

    on a ship without shrouds.

    Fire burned the rigging

    a storm took the shrouds

    and the journey of death

    has no return.

     

    Together the mothers

    of Pavlos and Nikolio go out;

    they ask the earth to tell them

    and it drips blood.

     

    Those are not groans

    that come out of the earth,

    only a spring that invites you

    to drink and quench your thirst. 

     

  • 1962

    In the Orchards

    In the orchards with their flowering gardens

    like the old times, we’ll raise the dance

    and invite Death 

    to drink and sing with us.

     

    Take the clarinet and oboe

    and I’ll come with my little baglama ..

    Ah, and I’ll come too...

    You took me in the fire of battle, Death,

    let’s go to the orchards and dance.

     

    In the orchards, with their flowering gardens

    if I beat you, Death,  at the wine drinking

    if I beat you at the dancing and singing

    then grant me a night of life.

     

    Take heart, sweet mother

    I am the lad who returned for one glance from you.

    Ah, for one glance...!

    When I left for the Front, mother

    you didn’t come to see me.

    You were working for strangers and I took the train alone

    the one that carried me out of life....

     

  • 1963

    The Rider in the Sky

    The rider in the sky

    appeared on the crest

    holding the dawn in one hand

    and in the other, my life.

     

    The brave man, the brave man

    he’ll come this evening at nine

    help him, Christ and the Virgin!

     

    The rider on the mountain

    appeared in the narrow streets

    holding thunderbolts in one hand

    and in the other, sighs.

     

    The rider of the sky

    brings the dawn with him,

    he brings the hand that scatters

    and the other hand that reaps.

     

  • 1963

    Five Soldiers

    Five soldiers set out

    to paint the mountain, they set out

    to paint the mountain, they stopped

    to paint the mountain, they slept.

     

    Five soldiers slept,

    the mountain eats them, they remembered

    the mountain drinks them, they dreamed

    the mountain spits on them, they were done for.

     

    Five soldiers were done for,

    the mountain blooms, they dreamed

    the mountain snows, they slept

    the mountain sighed, they loved one another

     

    Mother…Mother…Mother…

    Five mothers…Mothers…dear Mothers

     

  • 1967

    The Sun and Time

    On the 21st of August I was captured at Haidari. On the fourth floor at Bouboulinas Street prison, cell number 4, I waited for torture and death. On the fourth of September they brought me paper and pencil. Then I wrote 32 poems. I had spent the previous nights sleepless with my back pressed to the wall waiting from moment to moment for them to take me for torture or execution. My whole existence was marked by the expectation of certain death. As time flowed patiently by and I suffered, I saw clearly in my head the image of the final moment. The morning sky was a deep blue. The air was transparent, crystal clear. What would I call out at this final moment? This thought tormented me…

    This torment was followed by an inexplicable euphoria. I was happy! In the end death isn’t so terrible. Perhaps it’s beautiful, I say to the guard…

    I’m not a poet, but when the verses began to hammer at my brain I felt how words could be dressed in blood. How they could liberate me. I am an artist. I defeat time and death…

    I am Time.

    This is why ‘The Sun and Time’ became the cycle of Life and Death. In the end they became a victorious cycle. A bitter victory, because the spirit of the poet suffers for all people. Even those who hate him and torture him,
    Xreow, B 



    i

    Greetings Acropolis
    Tourkolimano, Voukourestiou Street!
    The polestar aims its light 
    at the still point of the world.

    Athens the First
    buried deep in the ages
    the spear-fishers see you
    from behind their masks.
    Galleys, private cars, secret brothels
    the “Security” center of the world.
    The polestar revolves steadily,
    the cookhouse chimney
    aims its smoke
    at the still point of the firmament.
    The Pleiades, Aphrodite, 
    Dina, Soula, Evi, Irine. 
    Five million years of light.
    A constant line traverses
    five billion galaxies
    five meters
    only five meters
    from my cell.


    ii

    Time dissolves
    in the moment.
    The merest trifle becomes
    the greatest of tyrants;
    it torments flowering wounds
    full of smiles and promises
    and something else; it’s that other
    we live each moment
    thinking that we live another.
    But the other doesn’t exist.
    We are ourselves, our Fate
    who looks sidelong at us,
    the Sphinx who forgot the riddle.
    We have nothing more to solve:
    there’s no riddle,
    no escape from the circle,
    the fiery circle
    of Sun and Death.
     
    iii

    Sun, I will look you in the eye
    till my vision dries up
    fills with craters of dust
    and becomes a moon without space
    without motion, rhythm
    a falling star extinguished eons ago
    condemned to listen to the cries of men
    to breathe the stench of dead flowers,
    Man is dead! Long live Man!


    iv 

    In the dry soil of my heart
    a cactus has grown.
    It’s been more than twenty centuries
    since I dreamed of jasmine
    my hair smelled of jasmine
    my voice had taken something
    of its delicate perfume
    my clothes smelled of jasmine
    my life had taken something
    of its delicate perfume.
    But the cactus is not bad;
    it simply doesn’t know it and is afraid.
    Sadly I look at the cactus;
    where did all those centuries go?
    I will live as many again
    listening to the roots
    as they grow steadily
    in the dry soil of my heart.

    v
                                                                
    Between the sun and me
    there is nothing
    but the difference of time.
    I rise and set
    I exist and cease to be
    they see me
    though I cannot see myself.

     
    vi

    When time stands still
    my cell fills with months
    months, days, hours, moments
    tenths of a second
    tenths of a second
    tenths of a second
    a step before chaos
    there is chaos
    a step before chaos
    I exist a little before, a little after
    I exist in chaos
    I don’t exist.


     
    vii

    The cells breathe
    the cells that are high up
    the cells that are down low
    the rain unites us
    the sun was ashamed to appear, Nikos.
    Yorgos, we’re holding on by a flower



    viii

    The Sun bites me
    it has no teeth
    false
    false promises on the wall
    white color on white
    with shadows
    without shadows
    only I remain motionless
    immovable in the light and white
    untransferable I remain high
    above the mosaic that is suspended
    my thought spins towards the Earth
    the parachute didn’t open
    the Earth goes on,  galloping towards my thought
    the Sun is constricted
    it reveals the void
    three voids collide
    my Thought, the Earth and the Sun.


    ix

    Under the earth it propagates 
    the Law,  of the Law,  oh Law!
    when it wears a helmet it smokes
    filtered cigarettes
    when it wears pajamas
    when it wears silk pajamas
    it doesn’t smoke, it doesn’t smoke
    the villages, the forests, the paddyfields burn 
    the mothers don’t smoke
    the soldiers smoke before they go to sleep
    they sleep heavily, for two centuries
    I smoke before I die
    I always smoke before I die
    strong Lamia tobacco,  fragrant Xanthi
    a sweet smell just before the end
    the end has a sweet smell
    fragrant Xanthi, strong Lamia. 


    x

    I am the teeth of the sun
    I am what bites me
    I am what wants
    what doesn’t want  is me
    when you remember me I am
    when you forget me I am
    when I exist I am myself
    when I don’t exist I am you
    but you are me.


    xi

    The Aegean has risen and is looking at me
    “Is that you?” it asks me.
    “Yes,” I answer, “It is me and someone else too.
    Don’t you recognize him?”
    “No,” he says.
    “You don’t recognize him but this someone is you.”

    The Aegean lay down,
    the sun coughed.
    I remained alone
    completely alone.



    xii

    Not completely alone
    I don’t want you
    I want you so much
    that’s why I don’t want  you
    the plane trees, the cold streams
    myrtle, myrtle, myrtle
    a symbol, an idea, a faith
    I want you so much
    dandelion covered in earth
    myrtle myrtle myrtle
    that’s why I want you
    because without you
    I cannot be alone
    cannot be
    completely alone.


     
    xiii

    Shoot time
    kill time
    time beyond the law
    I want to set my dead body up
    in Aiolos Street
    to sell time at a discount
    in Monastiraki
    it’s fresh
    we hunted it yesterday
    we killed it yesterday
    yesterday, yesterday, yesterday
    from yesterday to today
    which means that we didn’t do good work.


     
    xiv

    You will not go
    beyond this circle
    you will stay inside it.
    You, the Sun and Time
    your orbit is regulated by winding
    at night you wind it up
    by day you unwind it
    curtsey, smile, cry, curse
    everything regulated
    by the manufacturer.



    xv

    Whoever you are
    ocean, mountain, woman, bull
    if you are human
    tree, song, toll, death
    if you are human 
    if you are human
    release the handbrake gently
    start the descent in second gear
    it will cost you less
    bus, truck, Citroen DKW
    Margarita, Myrtle, Rose-water, Theodorakis
    whoever you are
    it will cost you less
    old memory
    old as today
    as tomorrow
    as tomorrow
    as never
    if you are human
    whoever you are.

     
    xvi.

    Sun the First, Athens the First
    Mikis the millionth
    a hundred thousand follow
    and another hundred
    and another hundred thousand innocents
    and so on and so forth
    until the end of the world.


     
    xvii

    Never never never
    will I be able to unfurl all the flags
    green, red, yellow, blue, mauve, azure.
    Never never never
    will I be able to smell all the perfumes
    green, red, yellow, blue, mauve, azure.
    Never never never
    will I be able to touch all the hearts
    sail all the seas.
    Never never never 
    will I know the one
    and only flag
    you
    Tania.

     
    xviii

    When I lay down on the sand
    the bathers jumped into the sea
    when I dived into the sea
    the bathers got out of the water.
    when I drowned
    the bathers went home
    and when I rose from the dead
    it was already too late
    the bathers had got into their cars. 


     
    xix.

    You are my image
    your hand is my hand
    when I squeeze it, it is squeezed
    when I raise it, it is raised
    only these bars are mine
    and what is reflected is yours
    (the sense of private ownership should be stressed)
    mine yours
    the prison bars
    but ours
    the eyes
    the lips
    the hands.


    xx.

    In the paradise gardens of my skull
    a yellow sun travels on the wings of time.
    Birds with wooden wings follow
    angels lead the way on jets
    a grand procession
    above the banana trees, eucalyptus and pines
    that cover the left side of my brain;
    on the right, nymphs and heavenly whores.
    Hidden beneath the jasmine
    red lizards listen to the waterfalls
    that disappear into the sewers of my spinal chord
    where the Earth begins
    and the Universe ends.
    Suddenly the grand procession stands still
    six in the afternoon
    exactly six o’clock
    the procession Time, the Sun stops -
    only the birds fly on
    beating their wooden wings
    and even the jets lament like angels.


    xxi.

    I have a private labyrinth
    a private twelve horsepower Minotaur.
    I seek a second-hand Theseus at a good price
    I will exchange a Japanese radio
    for Ariadne if possible a widow
    under forty, 
    income above five figures,
    time limit 
    a tenth of a second
    in a tenth of a second
    I will be dead.


     
    xxii.

    Elytis Gatsos the great Seferis 
    Tsarouchis Minotis Hadzidakis
    Vera Dora Jeni, 
    cinema theater music
    and so many others
    the poets the poets
    and so many others
    and you and you and you
    the friend the enemy the foe the rival
    I slept peacefully
    the bill has been paid
    the friend who is paying
    has money.



    xxiii.

    Celestial streams
    underground torrents
    descend babbling
    Street of Dreams, Omonia
    Silva
    S-i-l-v-a
    Haidari, Philothei
    their waters blond
    two blond mattresses
    two green mattresses
    in the middle
    am I, a red locust
    wings harmonicas
    sounds of water
    lizards moons
    dive, sink, drown
    bars
    bars
    bars
    Silva.


     
    xxiv.


    When you shout
    I sleep
    when you are in pain
    I yawn
    when you toss and turn
    I scratch myself
    September
    date, the sixteenth
    of Creation
    Dionysos!



    xxv.

    On the fourth floor
    your Mama sleeps
    Elena
    her dreams, heavenly music
    her dreams
    Pepino di Capri
    beyond the sea
    don’t wake her.


     
    xxvi.

    The sun’s dentures threaten me
    the bars of Time protect me
    Yiannis Jason Vyron
    Takis Alekos
    hoist the lemons and oranges
    high on the masts
    raise
    the sandals in the sand
    voices Nivea cream
    racetrack solitaire Nescafé
    they hold precious flags made of cheap material.



    xxvii

    September sixth
    eleven o’clock in the morning
    now the birds
    are bathing in the river
    the North winds are creaking in the firs
    the Turk wounded you at Bizani.

    Now you sit and watch me
    you drink coffee
    you drip poison
    love love
    the Sun scratches
    the grape
    eleven o’clock in the morning.



    xxviii.

    Suleiman the Magnificent
    Constantine Palaeologos
    stop shouting
    smuggler thief pimp
    vocal chords
    Andreas Ilias Anthi
    animal larynx human larynx
    St. Sophia barbarian hordes the liquid fire
    the Old Man of Morea a worm
    I stumble at every step
    on the left beasts from Borneo
    on the right flames of Nagasaki
    ahead chimneys of Buchenwald
    behind Makryiannis’ cell
    above below above below
    east west
    hordes of saints hordes of demons
    hordes of saints hordes of generals
    I am dandelion sown in a crater
    good-bye Sun good-bye Sun good-bye Sun
    good-bye Light
    good night.



    xxix.

    East of Sirius
    the blond rains pass by
    they hold yellow umbrellas
    they wear green sunglasses
    mini-skirts
    the blond rains of September
    they skirt Mars
    next Wednesday
    they enter the orbit of Earth
    Hanoi, Washington, Moscow
    the Sinai desert
    Athens, Tositsa Street
    west of Chios
    east of Corinth
    inside outside
    a deeply carved pine
    miniskirts
    green sunglasses
    they hold yellow umbrellas
    the early blond rains
    east of Sirius
    west of my cell,
    of September.



     
    xxx.


    When the rocks of Meteora dance the syrtaki
    I recognize you my country
    when Achelous stays out all night at the taverns
    when the White Mountains swim the crawl
    when the Aegean plays the lottery
    when the Roumeliots build their tsamikos
    when the Cretan Sea rapes Milos
    and when I write crude verses
    then I recognize you
    I recognize you my country. 



     
    xxxi


    The nine Muses are staying near me
    a corridor separates us
    two doors four guards
    Dora Maria Takis
    Anna Tonia Rousos
    perhaps they know better
    particulars numbers addresses
    techniques schools museums
    the nine Muses stay close to the Museums
    Music stays close to the Museums
    Music Muses Museums
    at any rate
    mentalities techniques are tested
    rain dust sun laugh
    a vast conservatory
    pianos solfège singing
    the nine Muses wash themselves
    comb their hair lie down
    they knock so that someone will open the door
    Pindar Aeschylus Mozart Chopin
    the guards accompany them one at a time to the toilet.



     
    xxxii.

    Violet city
    send me your hand to caress my hair
    send me your voice to put my dreams to sleep
    show me your face
    so I can see my own stature
    my nobility
    my noble mistress
    from Oedipus to Androutsos
    no-one has loved you
    as I do


  • 1968

    You Are Greek

    What you were once you will be again

    you must become, you must weep.

     

    So your humiliation can be complete,

    so your conquest reaches the roots of the mountains.

     

    You are Greek, you are Greek,

    you drink betrayal with your milk,

    you drink betrayal with your wine,

    so that your humiliation can be complete.

     

    You must see,

    you must become.

     

    What you were once

    you will be again.

     

  • 1968

    We Are Two

    We are two, we are two, the clock strikes eight

    turn off the lights, the guard knocks, tonight they’ll come again.

     

    one in front, the others behind

    then silence and the same old story.

     

    They strike twice, they strike three times, a thousand and thirteen;

    you are in pain and so am I,  but which of us suffers more

    only time will tell.

     

    We are two, we are three, we are a thousand and thirteen

    we ride on into time

    in time, with the rain the blood clots on the wound

    and pain becomes a nail.

     

    Avenger, savior,

    we are two, we are three, we are a thousand and thirteen.

     

  • 1968

    Time to See

    They told you a pack of lies

    they tell you lies again today

    and tomorrow they’ll tell you lies again.

     

    Your enemies tell you lies

    But even your friends hide the truth from you.

     

    Liars promise you false glory

    but your friends lull you to sleep with false truths.

     

    Where are you going with false dreams?

    It’s time to stop,

    time to sing,

    time to weep and suffer,

    time to see

     

  • 1968

    The Slaughterhouse

    At noon they beat someone in the office
    I count the blows, I measure the blood

    I am the fattened beast, they’ve shut me in the slaughterhouse
    today you, tomorrow, me.

    They beat Andreas on the terrace
    I count the blows, I measure the pain.
    We’ll meet again behind the wall;
    tap-tap, you, tap-tap, me

    which means, in this dumb language,
    I’m holding on, I’m holding on well.

    In our hearts the feast begins:
    tap-tap you, tap-tap, me.

    Our slaughterhouse smelled of thyme
    and our cell, red sky.

  • 1968

    Oh Ancient Mountains

    Oh ancient mountains,

    mountains of Arcadia,

    proud mountains,

    intractable mountains,

    honorable mountains.

     

    Honor became dear,

    honor became scarce,

    honor is dead.

     

    A child suffers, my child

    and fettered, I look at the fir trees;

     

    I have no other hope except the trees.

     

     

    Arcadia I

  • 1968

    My Son is Nine Years Old

    My son is nine years old,

    nine winters nine summers

    we put thunder in his gaze

    he holds the seas in his two hands.

     

    He raises his hands high

    his back pressed to the wall

    they measure the sound of his breath

    and poke about in his small heart.

     

    As if we were living in a Jewish ghetto

    with monstrous German guards all around.

    Zatouna1968: we are living my third exile.  

      

     

    Arcadia I

  • 1968

    High in the Snows of Russia

    High in the snows of Russia
    where the north wind blows
    the poor serf has been waiting for centuries
    for the blond race to come.

    They send us love, songs, 
    flowers and burning words.
    Others send men-o-war
    to the snouts of Phaleron.

    Slaves suffer and sigh.
    This generation’s finished too.
    Everyone’s promising us paradise in 1999.

  • 1968

    The Consumer Society

    West, your hearing is blocked,

    West, your vision is obscured.

    The consumer society’s heavy veil

    has covered your hearing, 

    covered your sight, your soul.

     

    Your civilization is smoking ruins,

    your words, mosquitoes that fly

    over the swamps of your industrial production

    carrying fever, lies, hypocrisy.

     

    Five hundred thousand dead Indonesians

    concentration camps in Europe,

    exiles beside the Acropolis.

     

    But you don’t hear,

    you don’t see.

    On a 1969 model, 

    you ride at 200 kilometers per hour

    towards your death.

     

  • 1968

    I’m European

    I’m European, I have two ears,

    one to hear with, the other to listen.

     

     

    If a Czech, a Russian, or a Pole sighs

    mankind suffers, the sky falls.

     

    If a Black,  a Greek, an Indian suffers

    it doesn’t bother me! Let God worry about it.

     

     

    (High up there on Hymettos, there’s a secret).

     

     

    I’m European, I have two ears

    one only hears, from the East.

     

    Fascism knocks again on my door

    but I’m completely deaf to such sounds

     

     

    I have one big ear, the other’s very small

    and so I calmly reap joy, civilization.

     

  • 1968

    When You Knock Twice

    When you knock twice
    then three times and again two
    Alexander,  my friend,
    I’ll come to open the door for you
    I’ll have hot food for you
    I’ll have clean clothes for you
    a corner to hide you.

    When you knock twice
    then three times and again two
    Alexander, my friend,
    I’ll see your face;
    in your eyes you hide two fires
    in your breast a thousand hearts
    measure your pain.

    When you knock twice
    then three times, and again two
    Alexander, my friend,
    I think of your escape
    I see you in your narrow cell
    leading off the dance
    over your death.

  • 1969

    Battle-hymn

    Magestic mountains embrace

    the rocks, ravines, people, fir trees.

    They have seen hordes of Turks and others, conquerors; 

    they received the bodies of heroes

    and the curses of the brave.

    They are still here, the trees that shaded

    the sleep of Perdikas 

    and the cuckoo that Kolokotronis  never heard

    has come to nest in Zatouna.

    In vain the guards try to cage my song ;

    the ravines carry it on their shoulders

    and swiftly lead it to the olive groves.

     

    The mountains of Arcadia are so tall

    they dominate the sea

    and Pan’s pipes drown out the snarls of the barracks.

    Boa constrictors, orangutans, monkeys,

    they wear togas, carry scepters

    archbishops and commanders-in-chief  shout “Forward” 

    and birds’ wings rise behind them.

    Terrified heroes abandon the marbles

    run away from the verses of poets

    hide again on the banks of the Lousios,  in the springs of Mainalos

    sharing the shadows with the larks.

    Mountain guardians of your valor, my Homeland

    the battle-song is your dream and the rifle, your song.

     

     

     

    Arcadia VI

  • 1969

    To the Unknown Poet

    Righas Pheraios, I call on you, you!

    From Australia to Canada

    and from Germany to Tashkent

    in prisons, in the mountains and islands

    the Greeks are scattered.

     

    Dionysios Solomos, I call on you, you!

    Jailed and jailors

    beaten and beaters

    commanded and commanders

    terrorizers and terrorized

    occupiers and occupied

    divided in two, the Greeks.

     

    Andreas Kalvos, I call on you, you!

    Brilliant, the sun marvels,

    the mountains and the firs

    the shores and the nightingales marvel.

    Cradle of beauty and measure, my homeland

    is now a place of death.

     

    Kostas Palamas, I call on you, you!

    Never was so much light turned to darkness,

    so much bravery to fear,

    strength to weakness,

    so many heroes turned to marble busts.

    Birthplace of Digenis and Diakos , my fatherland

    now a land of slavery.

     

    Nikos Kazantzakis, I cry out to you!

    But if mortals who still speak

    Androutsos’ tongue forget

    then memory lives behind iron bars and sentry posts

    memory lives in the stones

    it nests in the yellow leaves

    that cover your body, Greece.

     

    Angelos Sikelianos, I call on you, you!

    You are the soul of my homeland

    polymorphic river

    blind with blood

    deaf with moans

    incapacitated by hatred

    and the great love

    that jointly rules your soul.

     

    The soul of my country is two handcuffs

    squeezed into two rivers

    two mountains bound with ropes

    on the terrace bench. 

    The Argive plain swollen from whipping

    and Olympus hanging from the mast of the aircraft carrier

    hands tied behind its back

    until it confesses.

    The soul of my homeland is this very seed

    that spread roots on the rock.

    You are mother, wife, daughter

    looking out over the sea and the mountains

    and secretly dyeing, with your blood

    the red eggs of the Resurrection

    fertilized by the times and by men.

     

    If only the Easter of the Greeks

    would come to my unhappy land!

     

    Unknown poet, I call on you, you!

     

     

    Arcadia VI     

  • 1969

    My Name is Kostas Stergiou

    My name is Kostas Stergiou

    descendant of the Vizigoths

    the Ostragoths, the Mavrogoths.

    I live in caves,

    I trim clubs,

    I drink water out of skulls.

    My profession is death

    but for the time being I’m serving

    the big dragon who has sent me

    to Arcadia.

    Over my skin

    I wear a uniform,

    I have two gold stars on my shoulders,

    I hide my club carefully

    under my cloak.

     

    My name is Kostas Stergiou,

    descendant of the Marmelukes,

    Mavrolukes and Sosolukes;

    I’m a cross between

    Neanderthal and wolf

    but for the time being I ride in a jeep

    terrorizing women and children.

    I’m a specialist in searching --

    I search for children’s souls

    and distill fear.

    I impose the law

    the law of the big Dragon

    who has sent me, for the time being, 

    to Arcadia.

     

     

    Arcadia X   

  • 1969

    I Had Three Lives

    I had three lives;

    the wind took one

    the rain the other

    and my third life

    shut in behind two eyelids

    was drowned in tears.

     

    I was left alone

    without a life, without lives

    the wind took one

    the rain the other

     

    I was left alone

    I and the Dragon

    in the great cave.

     

    I hold a scimitar

    I hold a sword

    I’ll drown you

    I’ll kill you

    I’ll wipe you out

    I’ll toss you

    over my life.

     

    Because I have three lives

    one to suffer with, one to wish with

    and the third to win with.

     

  • 1970

    Don’t Forget Oropos

    The father in exile, the house bereft,

    we live in tyranny, in thick darkness.

    And you, tortured people, don’t forget Oropos.

     

    The mother cries alone, the trees and birds weep;

    in our homeland night is falling, empty embrace.

    And you, tortured people, don’t forget Oropos.

     

    Penned behind barbed wire, but our hearts sound

    Always the same vow, freedom and progress.

    And you, tortured people, don’t forget Oropos.

     

     

    Oropos, 1969-1970       

  • 1970

    Because I did not conform...

    Beyond the blue sea

    the blue sky

    a mother is waiting

    it’s years, now, since I saw her.

    Because I did not conform to regulations.

     

    Time comes, time goes

    I walk behind the barbed wire.

    Black days will pass

    before I see you again.

    Because I did not conform to regulations.

     

    Halicarnassos, Partheni

    Oropos, Korydallos 

    the fearless young man waits

    for the light of freedom,

    Because I did not conform to regulations