POEMS
POEMS
-
1943
Odysseus
I return! I return! I return!
My pores opened on my voyage through the sea
that came and took root in my heart.
And my heart passed through my body
and spread wide, sowing in the ocean’s heart
the sweet melody of return.
I return! I return! I return!
Behind every flower, every island
and every lovely thing
the divine vision extends towards me
the one, inimitable, unchanging Ithaca.
You could say that all nature was made only to hide
its beauty like the thin clouds
that cover the sun at sunset
making its beauty more intense.
Around me, in me, everywhere, the sea,
laughing and beloved,
mirrors the sun, the stars and the passing gulls.
Every wave that passes
brings me closer to you.
Every single thing is sweet, so sweet,
even the most unbearable pain
when it brings me closer to you, oh my country.
Athens, 1943.
-
1943
Small Fantasy
You came like a gentle breeze and planted Paradiseon our lips with a kiss. Then you moved on.Ecstatic, we watched you dissolvein the infinite light!Now nothing is left to remind us of your passingbut our kissed lipsthat became nightingales flying, sighing, toward every gleam of lightin case it might be you and your kiss. -
1943
Everything Will End
A day will come when the sun will not setthe shadows will become lightand the leaves of the trees will dripflaming blood like tears.Everything will end.God will appear covered in lilies and roseswith mud and tears.Around him angels will shout hosannasand worms will raise their heads to the light.Everything will end.Men and beasts will quiver with happinessthey won’t see each otherhands will forget touchand the soul, flesh.There will be a great lightand the universe will ignite like dry grass.Suns and lights, thoughts and desiresvoices and silence, creature and creator.Everything will end.Athens, 1943 -
1944
Anonymous Phrases
They embraced and danced a languid waltz.
Later they paused, squeezed each other tightly
and kissed for the last time.
Strange thoughts oppressed them.
They kissed again, mechanically, so as to extend
who knows what.
But their lips weren’t aware of flesh
and their arms twined in absent-minded embraces.
* * *
Now I take the form of a mouse
and appear before them. I dip my tail
in ink and write on the window pane:
“Destiny calls to life.”
It seems they became aware of me immediately.
They soon recovered and became distracted again.
* * *
I open the door and see the mouse
lounging about. The revolver has been forgotten
on the desk. I look at him and say:
-Did you commit this rash act?
He runs and puts his head
in the barrel so as to block the bullet.
But I waste no time and move away.
Very carefully I collect a little of the blood
that was there and cover
the anonymous phrases with it.
Athens, 1944
-
1945
Tell Me, Branches
Tell me, branches,
speak trees
and clear streams,
tell me, before he died
did the partisan who fell
wounded in the battle
speak his mother’s name
a mother who waits, wasting away
who endures, suffering?
Five Sailors, 1945
-
1945
The Words of Love
The words of love like the spring leaves
a sun came and kissed us on the lips.
Five young lads and a girl dancing
their hearts on their lips.
Like branches blossoming with grace
five loves mingle and kiss the grass.
-
1946
The way the earth smelled after a small spring shower.
To Myrto
I remember you said one word
and I picked some grass
with its roots full of earth
to rub on my heart and make it smell good.
I told you that when I was a boy
I liked to bury myself in the soil
and speak to the long worms
about the secrets of the earth.
Each one brings me a memory
and its voice is lost in the noise
made by all the different kinds of roots
as they burrow deeper and deeper into the earth.
How frightened we were when a seed burst open
and a new plant sprang out...
* * *
No, I didn’t like looking at the stars,
they seemed so far away and foreign.
I liked the sun better
especially in summer when its rays
danced on my skin
singing a strange song
whose words are buried now
deep in my memory.
Then, for the first time
I thought about merging the songs
I’d been listening to all day
into a single song
that we’d all sing together.
This thought wasn’t completely my own.
I heard it said by a small golden-green leaf
which sprang out that moment
from the green branch of our conversation.
The next day I woke at dawn
went down to the fields and rolled
in the dewdrops.
My whole body shivered
and there wasn’t the tiniest cell of my skin
that wasn’t singing
a little song.
Then I told my secret to the grass.
The small leaves nearby
bent their heads to listen in secret,
hundreds of worms came down below, happy
to tell our secret to the whole world
Every drop of earth was joyful
that day…
Then I told them we’d lie down quietly
and wait for the sun to come out...
And in fact we were suddenly
so quiet
that we could hear
the distant song of Dawn
that is like coral
shed by the delicate tears of birds...
How beautiful that song was.
I wonder if we’ll be able to sing
as beautifully as that?
* * *
No, I don’t like the song of the earth any more.
The roots tear the earth discordantly
and the sun’s rays shout, fierce and furious.
Now I like the song of the Dawn.
When I hear it I think
I am in a forest with corals scattered
by the delicate tears of the birds
in the peaceful glow of morning.
The little plants, the leaves and the worms
stretch out their hands to me like a sob
and call me, pleading:
“Stay, the sun will soon come out
and we can sing together.”
But can I stay far
from the song of Dawn?
For the first time I climbed the wall
of our garden and I felt
like a plant pulled from its soil.
Then I found myself in strange streets.
But the rosy glow shimmered
before my eyes and I was happy
that in a little while my skin would be bathed again
in that wonderful song.
* * *
As you see, I’m no longer a child
and yet I still haven’t managed
to reach that lovely song.
I almost regret
that I left half my heart
buried in the earth.
I worry whether my dearest friends
will accept me again
and whether my heart will recognize me
now that it, too, may have become
a little piece of grass
perhaps a small bush
with a few red blossoms dotted
by delicate dewdrops.
I would love to go back to the earth.
How many songs will we really sing again…?
And now the new summer is coming
we’ll wait for the sun
to tell it our secret
and make our old dream
come true.
Athens, 1946.
-
1946
I Love You, There’s No Way Around It
A
I have black soil, pale soil
blood-red suns, white suns
hearts with roots, roots with wings
cities with tombs, tombs with life.
I hold hate in one hand
love in the other.
I am not some mythical creature.
I live in pale blue islands
and scarlet passions.
You know me... You sense me
more than you know me.
B
You know me.
You sense me more than you know me.
Oh, you will tell me
it’s been a long time since we buried Bethlehem
and the anemones on their tombs chatted
to the pale girls of Sion.
I have no demands. I have no demands at all.
Only that you let me see
the sunset in your eyes.
Athens, 1946
-
1946
Love Song
All my thoughts are a flowering almond branch
hanging at your window.
My voice speaks to you with a thousand colors and a thousand
secret shades, but you remain deep
in the dream of your life, brightened
by a blissful flame.
(See the moons that melt in tears
see the tears that flame like stars
see the stars that resemble the countless hopes
of those hearts whose denial of life
has revealed their destiny!)
And don’t wake up! You’d find nothing more here
than you already know
since even pain that marks the thoughtful brow
of life with a star has denied himself
and even he, tonight, has turned
to joy!
Athens, 1946
-
1946
Five Soldiers
(War Diary )
How did I find myself suddenly so distant?
(I could never understand
how much the moment when you sit
between two fires can be annihilated).
I had to defend myself so as to live.
It had slipped so mysteriously from my body
and scattered around me
so that I was inseparably tied
to reality and to my companions.
We went on together
bound tight by necessity
with hearts changed
from breast to breast.
We weren’t permitted to speak
to ourselves.
We turned our eyes almost as one:
on the far horizon
a thousand birds were lost in disarray.
We had already covered
a great distance on foot.
At that point where we found ourselves
we could make out
a red signpost.
We wondered if it could mark
the border that separates
the past from the future.
At that point we tightened the straps of our helmets
at the cheek, trying to breathe
with the frigid air
some thought that might hold up
in this sad landscape.
The roofs of the houses
echo the sounds
of our footsteps in fear.
We see our tired shadows
mirrored in the cloudy eyes of the sky
as we move carefully ahead
holding each other by the hand
across the line that etches
the brow of war.
Behind the dark apartment building
waits the hairy hand
of Polyphemus.
We are five companions
holding each other by the hand,
our hearts leached
in the snow of night
and the painted fields
of spring.
Soon it began to grow light.
At first my eyes watered
then I got used to it and I could make out
my mother’s hand
as it came to moisten my eyelashes.
Sunk in the mud
I hold my rifle tight in my hand.
For a moment I felt my head
detach itself from my body
and go to another body
and then to another and another.
The landscape was full of headless bodies
and only my head moved around
from body to body.
What had happened, then,
to the heads of my companions?
Someone pulled the screen of rain across
and I felt as if I were alone
so I tried to take advantage
of this moment to look at myself.
(The clouds are not far above the earth.
They have moved down.
I believe that by morning
there won’t be anything left.
They’ll begin with the tall apartment buildings
and the smokestacks of Piraeus.
The walls will buckle and break bit by bit.
Then it will be the turn of the houses.
Finally they’ll demolish the slums
and the wooden hovels at Dourgouti).
Then, on the opposite corner
five men appeared.
They were five men of ancient Athens
in heavy winter tunics.
It was high time because the earth
had become liquid and stormy.
We crawled towards them
and we all saw
our City
tossing about,
rudderless and drunken.
Slowly, completely unexpectedly
beside these men
we discovered we were human
and we had a heart in our breast.
The German helmets
pulled low on the forehead
no longer prevented us from seeing our eyes.
My Beloved
greeted me at the entrance to the park
with her blue scarf.
But it was futile.
A noise began to rise
from one side of the city to the other.
All five of us immediately dived
into the stormy sea.
As we swam
we felt our hearts bending
for the first time like a cypress.
We reached the avenue and could see
the endless row of those who’d been hanged
My Mother and my Beloved
My Mother and my Beloved
My Mother and my Beloved
A thousand times.
My Mother and my Beloved.
And the shells passing overhead
from the boats at Phaleron
formed a multicolored
festive arbor.
The five companions were anxious when we were late
but they held on strongly to our position.
In the momentary flashes of the rifles
one could make out
the thin red thread that linked our hearts.
The sky and the clouds
descended towards the city.
Around us the sea swelled
and the waves
burned the eyes in our faces.
From the hill of Ardittos
a loudspeaker could be heard cutting out:
“Athens never dies. It is victorious.”
But the dawn seemed as if it would never come.
As they descended, the sky
and the clouds rested on some high buildings
and the smokestacks of Piraeus.
And the sea rose up from below and caught us.
Suddenly in the storm a light appeared
and your voice echoed loudly
before the wave could snatch it.
It was strong enough to bear us up
for quite some time on the surface.
But it was already too late.
Now, just as our hearts
opened their doors wide
to the love of the earth
the vast sea suddenly dried up
and the waves became black birds.
Your voice was useless now
that we found ourselves lying stretched out
among the ruins
with the others passing by and trampling on us.
We struggled with the waves and on the sea
day and night
but we didn’t learn any more
than what a crumb of earth knows.
Ask the smallest leaf on the tree in our courtyard
that plays lightly in the wind
and it will tell you why
we five beardless soldiers of December
straddled the border of death
with so much love.
-
1946
Schubert’s “Unfinished”
Three capsized moons
in a handful of water.
A broken boat full
of larks and violets
I passed you and you were
yesterday’s rain.
I’ll come and find you holding
a taut string in your hand.
My name is Phaidon.
I have nothing more
beyond my raveled sleeve.
I no longer suffer the voice of the birds.
Athens, 1946.
-
1946
Little Narcissi
My chest expanded
to hold the small jasmine
you sowed tonight with your thin fingers
on my heart.
I didn’t see you at all --
I couldn’t make you out
in such darkness.
But I felt your eyes
running over my entire skin
and I could even sense
the little narcissi fallen over
on their blue-green water.
Athens, 1946.
-
1947
Seas Surround Us.
Seas surround us
waves close us in
on the wild rocks
they guard our youth.
They sent our people
the best young men
to weigh them down
with heavy bonds.
We’ll stand up
to the guards’ spite
steel in our hearts
fire in our soul.
Mother, don’t sigh,
mother, don’t lament,
the thrones are falling
and the earth trembles.
Dawn is breaking
on the mountain,
the enemy cowers
freedom has come.
Strike them brothers
strike hard.
When Markos strikes
the earth shakes, the dry land.
-
1947
The House with the Scorpions
(Diary of Exile)AEveryone must have found themselves at similar moments. There are reams of warm appeals. Green, yellow, mauve they rise from every plant. The sea blows angry or calm, wraps them and sends them high up to our patient house. I must speak to you about this house. Its expression reflects the wrinkles of the tortured mountains. It has something of the long-drawn-out lament about it.BOne could immediately make out the wall of trees that wrap it around with care and affection. Between them is the distance of people of equal strength, the distance between two similar rays that are directed from the depths of the ocean towards two isolated gulls.CFive steps from the roots of the trees you touch the whitewashed stones that support the patience and dreams of our house. Its smile is always assured. Its knowledge is sharpened by the scorpions and by the north wind that often skirts it in fear on December nights when it squints at the boundless sea, its eyes fiery and provocative.DAfter a restrained, calm dream, he woke, confronting the sea, bloodied to the roots of the earth. He was disturbed by the thousands of delicate and fleeting smells chasing each other together with the butterflies and bees over the Sun’s pure white sheet. It was time to hurl his first thought towards the firmament which pinned it to the earth with condescension and irony. Maybe he didn’t know that our boat was already crossing the Aegean and that even before our mothers were born, our coming up here had been decided on.EWe had trouble understanding its assured smile as well as its strange habit of summoning the stray clouds that move about, groping in the thickets and on the slopes of the mountain. And so we had trouble discerning our own eyes, we had trouble getting used to this sudden and violent transformation between the light and the hoarfrost, to the waves and the drawn-out voice that launched itself every so often in the direction of the western Aegean. This is how we lose our personality as we become one with the strange dreams which, although they have anchored themselves in sealed centuries, reach out towards the distant points that mock the circles and the returns.FIn any case there is something which, although it doesn’t attract you, binds you tightly. You think you are continuously extending forwards while your footprints become tangled in the roots of the bushes that surround you with deathly joy.The beautiful season will come for you too!GNow I must speak to you about its joys and its anger. The calm story-telling in the shade of the arbutus trees. Its completely mysterious love for the south-eastern spring. The nostalgia of its whitewashed walls that were once used for looking out across the Aegean at the pirates, as they would turn their heads uneasily to greet it with respect and fear. Above all, though, its main concern over the ages was that endless and pointless struggle going on inside it between what existed and what came.HAt this hour, the horizon disappears under the pressure of the sky and the rising of the sea. There is a feeling of understanding that spreads through the air. Love and hate combat one another in the little clouds that travel towards the sun. In a little while the light will be shared equally, as the sun obliterates the shadows and the scruples that led it towards its painful and famous fall. Its last ray is directed towards the familiar road to our house. We accept it calmly, without shouting. We’ll speak to it all night. We’ll dream together.IThere is a necessity that opens up a long, uneasy path between the clouds. Along this path the thoughts of our house will pass, its silent concerns about every thing that believes in life. Everyone is surprised by the depth of its gaze. It tears deep into the slaves of South Africa, as it does into the imprisoned animals of the zoological gardens of Europe. From there, arm in arm, the wounded dreams of the world are returning with their dirty, open sores. At any moment you can see the endless convoy that makes the scorpions curl up in terror.JYou see how I keep being drawn away from this silver reflection that gives me the illusion I am the brother of the scorpions, child of the walls and intentions of our house. I promised to tell you about its joys and rages.KToday the morning came silently. The light escalates on the calm sea forming a bright staircase that extends from the lines of the horizon. Perhaps I could place beside it two thoughts that have the courage to look each other momentarily in the eye? But this calm permits me to hear the strange tumult going on inside me...However much I want to escape, I am a child of its purpose, the brother of its scorpions. What exists and what is coming cannot abide within me. So how do you want me to deny my generation, to permit the hands that tremble with hatred to shake one another, eyes that are lost in insatiable passion to look at each other, cries that are mangled by terror to embrace one another? ENEMIES WITH ENEMIES?LIn the evening we sit and watch the sea. We sing softly...Often we fall silent, looking down. It saddens us, this continuous observation. We want very much to stay for a moment alone with the scorpions and the walls our only company.Vrakades, Ikaria, 1947. -
1947
Night Song
And while you were still in the Light,
Night stayed awake beside you...
And the wild winds raged above you
when the still torn melody of Calm
lulled you to sleep, ever so sweetly...
-
1948
Elegy
For Agamemnon Danis
A hundred raised hands wave
and disappear in the dusk
and you, lost comrade,
greet and hearten them, as you sit
on the knee of the sun.
(Silence sinking with loosened hair --
above the deep sigh of the earth;
beneath the olives a cry
of lament that’s been forgotten).
From far-off Chios, in Petropoulis
and from Asia at Ay Ilia
we felt the sky bend
and kiss our wound
and you, lost comrade,
were a thousand birds
flying South!
And girls came from Daphne
and from Steli, bitter mothers;
from Arethousa and Vrakades, folk in black,
and from Armenisti came old fishermen
with hearts salted by sea and tears
and they sat all round us
and a shrill lament began.
And you were the sigh of the people
the wing-beat of a vulture
that pounces!
-
1949
South Wind
We’ve grown so hard,pieces of ash-green rockcovered in barnacles and seaweed;all around me flew a songthe smell of your bodya little higher, a little loweralmost one with the azure air.Look, now I’ll come back to see the spring roadsthe smoke merging with the little white cloudsof sunsetour small garden with its enormous suns...Are your eyes really as large as they wereon the days when you disappearedin your green sweater, in the big harbor?How it seems to me as if it were yesterdayas if it were centuries, as if they never existed.I am surrounded, almost freeat night the bare branches of the fig treepoint to me with your namethe shaken roots call meOstria, South Windevery morning she’s waiting for me outside my doorwith her ebony hair thrown over her shoulders.How can I only forget you so completelyas if you didn’t existas if nothing existed beyond you....* * *I feel like the sunas it caresses tired brows.How can I get used to the fever of the eyes?The seas encircle only our hearts,there are no islands, no loneliness.* * *How can I forget myself so much,become so much myself...?You disappeared behind the tall freighteras we glided into the big harborthat was sinking, bright green, in your big eyes.How to cry out when I don’t want to?I was lost from every thought , every memoryI didn’t exist except in your imaginationexcept in my imagination where I didn’t exist any more.And now I remember the last red carnationin the violet carpet of the skyamong the thousands of shining points some lightmust be protecting the quiet voices of your memories(on the garden verandah your father is readinghis afternoon newspaper).* * *I sow myself in the trench of the seaon whatever shores, whatever sunsmy chain remains apart from meI have no boundariesto whatever suns, whatever windsSouth Wind, South Windto the tired brows -- to the feeling of the sunto the deep pain of nature -- to the fever of the eyesto the bright green flag of humanity! -
1951
Whatever You Say
Did you think perhaps that it was only to please myselfthat I acted the oaf and the grouch?That I sit here at night for no hidden reasonin the freezing coldcounting the stars like lice… What do you say?Didn’t it occur to you that there must be some secret reasonfor all this strangeness, for so much blackness?Don’t tell me, to please you, that it was by chance they beganlicking and licking the dried bloodof Federico Garcia Lorca like mangy dogs.And then you tell me to sit and do something all alonebeside the rivers and the barges.Federico Garcia Lorca, Federico Garcia Lorca.Look how we’re weighing hearts againand putting blood again in little bottles.Here, the tombs of the businessmenthe mausoleums with their gold letters--the masses scattered, buried in gardensunder the carrots and the leeks.Federico Garcia Lorca, Federico Garcia Lorca.Scalpel in the heart of night, a heart as large as a dove-- whatever you saybut I murmur your name, little brother--my forgotten little brothersweet ethereal smile, my tall slim poplar--whatever you say.