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POEMS

POEMS

  • 1943

    Odysseus

    I return! I return! I return!

    My pores opened on my voyage through the sea

    that came and took root in my heart.

    And my heart passed through my body

    and spread wide, sowing in the ocean’s heart

    the sweet melody of return.

     

    I return! I return! I return!

    Behind every flower, every island

    and every lovely thing

    the divine vision extends towards me

    the one, inimitable, unchanging Ithaca.

    You could say that all nature was made only to hide

    its beauty like the thin clouds

    that cover the sun at sunset

    making its beauty more intense.

     

    Around me, in me, everywhere, the sea,

    laughing and beloved,

    mirrors the sun, the stars and the passing gulls.

    Every wave that passes

    brings me closer to you.

    Every single thing is sweet, so sweet,

    even the most unbearable pain

    when it brings me closer to you, oh my country.

     

     

    Athens, 1943.

     

  • 1943

    Small Fantasy

    You came like a gentle breeze and planted Paradise
    on our lips with a kiss. Then you moved on.
    Ecstatic, we watched you dissolve
    in the infinite light!
    Now nothing is left to remind us of your passing
    but our kissed lips
    that became nightingales flying, sighing, toward every gleam of light
    in case it might be you and your kiss.

  • 1943

    Everything Will End

    A day will come when the sun will not set
    the shadows will become light
    and the leaves of the trees will drip
    flaming blood like tears.
    Everything will end.

    God will appear covered in lilies and roses
    with mud and tears.
    Around him angels will shout hosannas
    and worms will raise their heads to the light.
    Everything will end.

    Men and beasts will quiver with happiness
    they won’t see each other
    hands will forget touch
    and the soul,  flesh.
    There will be a great light
    and the universe will ignite like dry grass.

    Suns and lights, thoughts and desires
    voices and silence, creature and creator.
    Everything will  end.

    Athens, 1943

  • 1944

    Anonymous Phrases

    They embraced and danced a languid waltz.

     

    Later they paused, squeezed each other tightly

    and kissed for the last time.

    Strange thoughts oppressed them.

    They kissed again, mechanically, so as to extend

    who knows what.

    But their lips weren’t aware of flesh

    and their arms twined in absent-minded embraces.

     

    *        *       *

     

    Now I take the form of a mouse

    and appear before them. I dip my tail

    in ink and write on the window pane:

    “Destiny calls to life.”

    It seems they became aware of me immediately. 

    They soon recovered and became distracted again.

     

     

    *     *     *

     

    I open the door and see the mouse

    lounging about. The revolver has been forgotten

    on the desk. I look at him and say:

    -Did you commit this rash act? 

    He runs and puts his head

    in the barrel so as to block the bullet.

    But I waste no time and move away.

     

    Very carefully I collect a little of the blood 

    that was there and cover

    the anonymous phrases with it.

     

     

    Athens, 1944

     

  • 1945

    Tell Me, Branches

    Tell me, branches,

    speak trees

    and clear streams, 

    tell me, before he died 

    did the partisan who fell

    wounded in the battle

    speak his mother’s name

    a mother who waits, wasting away

    who endures, suffering?

     

     

    Five Sailors, 1945

     

  • 1945

    The Words of Love

    The words of love like the spring leaves

    a sun came and kissed us on the lips.

     

    Five young lads and a girl dancing

    their hearts on their lips.

     

    Like branches blossoming with grace

    five loves mingle and kiss the grass.

     

     

  • 1946

    The way the earth smelled after a small spring shower.

    To Myrto

     

    I remember you said one word

    and I picked some grass

    with its roots full of earth

    to rub on my heart and make it smell good.

     

    I told you that when I was a boy

    I liked to bury myself in the soil

    and speak to the long worms

    about the secrets of the earth.

    Each one brings me a memory

    and its voice is lost in the noise

    made by all the different kinds of roots

    as they burrow deeper and deeper into the earth.

    How frightened we were when a seed burst open

    and a new plant sprang out...

     

    *     *     *

     

    No, I didn’t like looking at the stars,

    they seemed so far away and foreign.

    I liked the sun better

    especially in summer when its rays

    danced on my skin

    singing a strange song

    whose words are buried now

    deep in my memory.

     

    Then, for the first time 

    I thought about merging the songs

    I’d been listening to all day

    into a single song

    that we’d all sing together.

     

    This thought wasn’t completely my own.

    I heard it said by a small golden-green leaf

    which sprang out that moment

    from the green branch of our conversation.

     

    The next day I woke at dawn

    went down to the fields and rolled

    in the dewdrops.

    My whole body shivered

    and there wasn’t the tiniest cell of my skin

    that wasn’t singing

    a little song.

     

    Then I told my secret to the grass.

    The small leaves nearby

    bent their heads to listen in secret,

    hundreds of worms came down below, happy

    to tell our secret to the whole world

    Every drop of earth was joyful

    that day…

     

    Then I told them we’d lie down quietly

    and wait for the sun to come out...

    And in fact we were suddenly

    so quiet

    that we could hear

    the distant song of Dawn

    that is like coral

    shed by the delicate tears of birds...

    How beautiful that song was.

    I wonder if we’ll be able to sing

    as beautifully as that?

     

     

       *    *     *

     

     

    No, I don’t like the song of the earth any more.

    The roots tear the earth discordantly

    and the sun’s rays shout, fierce and furious. 

    Now I like the song of the Dawn. 

    When I hear it I think

    I am in a forest with corals scattered

    by the delicate tears of the birds

    in the peaceful glow of morning.

     

    The little plants, the leaves and the worms

    stretch out their hands to me like a sob

    and call me, pleading:

    “Stay, the sun will soon come out

    and we can sing together.”

    But can I stay far

    from the song of Dawn?

     

    For the first time I climbed the wall

    of our garden and I felt

    like a plant pulled from its soil.

    Then I found myself in strange streets.

    But the rosy glow shimmered

    before my eyes and I was happy

    that in a little while my skin would be bathed again

    in that wonderful song.

     

    *    *    *

     

    As you see, I’m no longer a child 

    and yet I still haven’t managed

    to reach that lovely song.

    I almost regret

    that I left half my heart

    buried in the earth.

    I worry whether my dearest friends

    will accept me again

    and whether my heart will recognize me

    now that it, too, may have become

    a little piece of grass

    perhaps a small bush

    with a few red blossoms dotted

    by delicate dewdrops.

    I would love to go back to the earth.

    How many songs will we really sing again…?

    And now the new summer is coming

    we’ll wait for the sun

    to tell it our secret

    and make our old dream

    come true.

     

     

    Athens, 1946.

     

  • 1946

    I Love You, There’s No Way Around It

    A

     

    I have black soil, pale soil

    blood-red suns,  white suns

    hearts with roots,  roots with wings

    cities with tombs, tombs with life.

    I hold hate in one hand

    love in the other.

     

    I am not some mythical creature.

    I live in pale blue islands

    and scarlet passions.

    You know me... You sense me

    more than you know me.

      

     

    B

     

    You know me.

    You sense me more than you know me.

    Oh, you will tell me

    it’s been a long time since we buried Bethlehem

    and the anemones on their tombs chatted

    to the pale girls of Sion.

    I have no demands. I have no demands at all.

    Only that you let me see

    the sunset in your eyes.

     

     

    Athens, 1946

     

  • 1946

    Love Song

    All my thoughts are a flowering almond branch

      hanging at your window.

    My voice speaks to you with a thousand colors and a thousand

    secret shades, but you remain deep

    in the dream of your life, brightened

    by a blissful flame.

    (See the moons that melt in tears

    see the tears that flame like stars

    see the stars that resemble the countless hopes

    of those hearts whose denial of life

    has revealed their destiny!)

    And don’t wake up! You’d find nothing more here

    than you already know

    since even pain that marks the thoughtful brow

    of life with a star has denied himself

    and even he, tonight, has turned 

    to joy!

     

     

    Athens, 1946

     

  • 1946

    Five Soldiers

    (War Diary  )

     

    How did I find myself suddenly so distant?

    (I could never understand

    how much the moment when you sit

    between two fires can be annihilated).

     

    I had to defend myself so as to live.

    It had slipped so mysteriously from my body

    and scattered around me

    so that I was inseparably tied

    to reality and to my companions.

     

    We went on together

    bound tight by necessity

    with hearts changed

    from breast to breast.

     

    We weren’t permitted to speak

    to ourselves.

    We turned our eyes almost as one:

    on the far horizon

    a thousand birds were lost in disarray.

     

    We had already covered

     a great distance on foot.

    At that point where we found ourselves

    we could make out

    a red signpost.

    We wondered if it could mark

    the border that separates

    the past from the future.

    At that point we tightened the straps of our helmets

    at the cheek, trying to breathe 

    with the frigid air

    some thought that might hold up

    in this sad landscape.

     

    The roofs of the houses

    echo the sounds

    of our footsteps in fear.

    We see our tired shadows

    mirrored in the cloudy eyes of the sky

    as we move carefully ahead

    holding each other by the hand

    across the line that etches

    the brow of war.

    Behind the dark apartment building

    waits the hairy hand

    of Polyphemus.

    We are five companions

    holding each other by the hand,

    our hearts leached

    in the snow of night

    and the painted fields

    of spring.

     

    Soon it began to grow light.

    At first my eyes watered

    then I got used to it and I could make out

    my mother’s hand

    as it came to moisten my eyelashes.

     

    Sunk in the mud

    I hold my rifle tight in my hand.

    For a moment I felt my head 

    detach itself from my body

    and go to another body

    and then to another and another.

    The landscape was full of headless bodies

    and only my head moved around

    from body to body.

    What had happened, then,

    to the heads of my companions?

     

     

    Someone pulled the screen of rain across

    and I felt as if I were alone

    so I tried to take advantage

    of this moment to look at myself.

     

    (The clouds are not far above the earth.

    They have moved down.

    I believe that by morning

    there won’t be anything left.

    They’ll begin with the tall apartment buildings

    and the smokestacks of Piraeus.

    The walls will buckle and break bit by bit.

    Then it will be the turn of the houses.

    Finally they’ll demolish the slums

    and the wooden hovels at Dourgouti).

     

    Then, on the opposite corner

    five men appeared.

    They were five men of ancient Athens

    in heavy winter tunics.

     

    It was high time because the earth

    had become liquid and stormy.

    We crawled towards them

    and we all saw

    our City

    tossing about,

    rudderless and drunken.

     

    Slowly, completely unexpectedly

    beside these men

    we discovered we were human

    and we had a heart in our breast.

    The German helmets

    pulled low on the forehead

    no longer prevented us from seeing our eyes.

    My Beloved

    greeted me at the entrance to the park

    with her blue scarf.

     

     

    But it was futile.

    A noise began to rise

    from one side of the city to the other.

    All five of us immediately dived

    into the stormy sea.

    As we swam

    we felt our hearts bending

    for the first time like a cypress.

    We reached the avenue and could see

    the endless row of those who’d been hanged

     

     

    My Mother and my Beloved

    My Mother and my Beloved

    My Mother and my Beloved

    A thousand times.

    My Mother and my Beloved.

    And the shells passing overhead 

    from the boats at Phaleron

    formed a multicolored

    festive arbor. 

     

    The five companions were anxious when we were late

    but they held on strongly to our position.

    In the momentary flashes of the rifles

    one could make out

    the thin red thread that linked our hearts.

    The sky and the clouds

    descended towards the city.

    Around us the sea swelled

    and the waves

    burned the eyes in our faces.

    From the hill of Ardittos

    a loudspeaker could be heard cutting out:

    “Athens never dies. It is victorious.”

    But the dawn seemed as if it would never come.

    As they descended, the sky

    and the clouds rested on some high buildings

    and the smokestacks of Piraeus.

    And the sea rose up from below and caught us.

     

    Suddenly in the storm a light appeared

    and your voice echoed loudly

    before the wave could snatch it.

    It was strong enough to bear us up

    for quite some time on the surface.

     

    But it was already too late.

    Now, just as our hearts

    opened their doors wide

    to the love of the earth

    the vast sea suddenly dried up

    and the waves became black birds.

    Your voice was useless now

    that we found ourselves lying stretched out

    among the ruins

    with the others passing by and trampling on us.

     

    We struggled with the waves and on the sea

    day and night

    but we didn’t learn any more

    than what a crumb of earth knows.

    Ask the smallest leaf on the tree in our courtyard

    that plays lightly in the wind

    and it will tell you why

    we five beardless soldiers of December

    straddled the border of death

    with so much love.

     

  • 1946

    Schubert’s “Unfinished”

    Three capsized moons

    in a handful of water.

    A broken boat  full

    of larks and violets

    I passed you and you were

    yesterday’s rain.

    I’ll come and find you holding

    a taut string in your hand.

    My name is Phaidon.

    I have nothing more

    beyond my raveled sleeve.

     

    I no longer suffer the voice of the birds.

     

     

    Athens, 1946.

     

  • 1946

    Little Narcissi

    My chest expanded

    to hold the small jasmine 

    you sowed tonight with your thin fingers

    on my heart.

    I didn’t see you at all --

    I couldn’t make you out

    in such darkness.

    But I felt your eyes

    running over my entire skin

    and I could even sense

    the little narcissi fallen over

    on their blue-green water.

     

     

    Athens, 1946.

     

  • 1947

    Seas Surround Us.

    Seas surround us

    waves close us in

    on the wild rocks

    they guard our youth.

     

    They sent our people

    the best young men

    to weigh them down

    with heavy bonds.

     

    We’ll stand up

    to the  guards’ spite

    steel in our hearts

    fire in our soul.

     

    Mother, don’t sigh,

    mother, don’t lament,

    the thrones are falling

    and the earth trembles.

     

    Dawn is breaking

    on the mountain,

    the enemy cowers

    freedom has come.

     

    Strike them brothers

    strike hard.

    When Markos  strikes

    the earth shakes, the dry land.     

     

  • 1947

    The House with the Scorpions


    (Diary of Exile)

    A

    Everyone must have found themselves at similar moments. There are reams of warm appeals. Green, yellow, mauve they rise from every plant. The sea blows angry or calm, wraps them and sends them high up to our patient house. I must speak to you about this house. Its expression reflects the wrinkles of the tortured mountains. It has something of the long-drawn-out lament about it.

    B

    One could immediately make out the wall of trees that wrap it around with care and affection. Between them is the distance of people of equal strength, the distance between two similar rays that are directed from the depths of the ocean towards two isolated gulls.

    C

    Five steps from the roots of the trees you touch the whitewashed stones that support the patience and dreams of our house. Its smile is always assured. Its knowledge is sharpened by the scorpions and by the north wind that often skirts it in fear on December nights when it squints at the boundless sea, its eyes fiery and provocative.

    D

    After a restrained, calm dream, he woke, confronting the sea, bloodied to the roots of the earth. He was disturbed by the thousands of delicate and fleeting smells chasing each other together with the butterflies and bees over the Sun’s pure white sheet. It was time to hurl his first thought towards the firmament which pinned it to the earth with condescension and irony.  Maybe he didn’t know that our boat was already crossing the Aegean and that even before our mothers were born, our coming up here had been decided on.


    E

    We had trouble understanding its assured smile as well as its strange habit of summoning the stray clouds that move about, groping in the thickets and on the slopes of the mountain. And so we had trouble discerning our own eyes, we had trouble getting used to this sudden and violent transformation between the light and the hoarfrost, to the waves and the drawn-out voice that launched itself every so often in the direction of the western Aegean. This is how we lose our personality as we become one with the strange dreams which, although they have anchored themselves in sealed centuries, reach out towards the distant points that mock the circles and the returns.






    F

    In any case there is something which, although it doesn’t attract you, binds you tightly. You think you are continuously extending forwards while your footprints become tangled in the roots of the bushes that surround you with deathly joy. 
    The beautiful season will come for you too!

    G

    Now I must speak to you about its joys and its anger. The calm story-telling in the shade of the arbutus trees. Its completely mysterious love for the south-eastern spring. The nostalgia of its whitewashed walls that were once used for looking out across the Aegean at the pirates, as they would turn their heads uneasily to greet it with respect and fear. Above all, though, its main concern over the ages was that endless and pointless struggle going on inside it between what existed and what came.

    H

    At this hour, the horizon disappears under the pressure of the sky and the rising of the sea. There is a feeling of understanding that spreads through the air. Love and hate combat one another in the little clouds that travel towards the sun. In a little while the light will be shared equally, as the sun obliterates the shadows and the scruples that led it towards its painful and famous fall. Its last ray is directed towards the familiar road to our house. We accept it calmly, without shouting. We’ll speak to it all night. We’ll dream together.

    I

    There is a necessity that opens up a long, uneasy path between the clouds.  Along this path the thoughts of our house will pass, its silent concerns about every thing that believes in life. Everyone is surprised by the depth of its gaze. It tears deep into the slaves of South Africa, as it does into the imprisoned animals of the zoological gardens of Europe. From there, arm in arm, the wounded dreams of the world are returning with their dirty, open sores. At any moment you can see the endless convoy that makes the scorpions curl up in terror.


    You see how I keep being drawn away from this silver reflection that gives me the illusion I am the brother of the scorpions, child of the walls and intentions of our house. I promised to tell you about its joys and rages.

    K

    Today the morning came silently. The light escalates on the calm sea forming a bright staircase that extends from the lines of the horizon. Perhaps I could place beside it two thoughts that have the courage to look each other momentarily in the eye? But this calm permits me to hear the strange tumult going on inside me...However much I want to escape, I am a child of its purpose, the brother of its scorpions. What exists and what is coming cannot abide within me. So how do you want me to deny my generation, to permit the hands that tremble with hatred to shake one another, eyes that are lost in insatiable passion to look at each other, cries that are mangled by terror to embrace one another? ENEMIES WITH ENEMIES?

    L

    In the evening we sit and watch the sea. We sing softly...Often we fall silent, looking down. It saddens us, this continuous observation. We want very much to stay for a moment alone with the scorpions and the walls our only company.



    Vrakades, Ikaria, 1947.

  • 1947

    Night Song

    And while you were still in the Light,

    Night stayed awake beside you...

    And the wild winds raged above you

    when the still torn melody of Calm

    lulled you to sleep, ever so sweetly...

     

  • 1948

    Elegy

    For Agamemnon Danis

     

    A hundred raised hands wave

    and disappear in the dusk

    and you, lost comrade,

    greet and hearten them, as you sit

    on the knee of the sun.

     

    (Silence sinking with loosened hair --

    above the deep sigh of the earth;

    beneath the olives a cry

    of lament that’s been forgotten).

     

    From far-off Chios, in Petropoulis

    and from Asia at Ay Ilia

    we felt the sky bend

    and kiss our wound

    and you, lost comrade, 

    were a thousand birds

    flying South!

     

    And girls came from Daphne

    and from Steli, bitter mothers;

    from Arethousa and Vrakades, folk in black,

    and from Armenisti came old fishermen

    with hearts salted by sea and tears

    and they sat all round us

    and a shrill lament began.

    And you were the sigh of the people

    the wing-beat of a vulture

    that pounces!

     

  • 1949

    South Wind

    We’ve grown so hard,
    pieces of ash-green rock
    covered in barnacles and seaweed;
    all around me flew a song
    the smell of your body
    a little higher, a little lower
    almost one with the azure air.
    Look, now I’ll come back to see the spring roads
    the smoke merging with the little white clouds
    of sunset
    our small garden with its enormous suns...

    Are your eyes really as large as they were
    on the days when you disappeared
    in your green sweater, in the big harbor?
    How it seems to me as if it were yesterday
    as if it were centuries, as if they never existed.

    I am surrounded, almost free
    at night the bare branches of the fig tree
    point to me with your name
    the shaken roots call me
    Ostria, South Wind
    every morning she’s waiting for me outside my door
    with her ebony hair thrown over her shoulders.
    How can I only forget you so completely
    as if you didn’t exist
    as if nothing existed beyond you....


    *      *      *

    I feel like the sun
    as it caresses tired brows.
    How can I get used to the fever of the eyes?
    The seas encircle only our hearts,
    there are no islands, no loneliness.

    *    *    *

    How can I forget myself so much,
    become so much myself...?

    You disappeared behind the tall freighter 
    as we glided into the big harbor
    that was sinking, bright green, in your big eyes.

    How to cry out when I don’t want to?
    I was lost from every thought , every memory
    I didn’t exist except in your imagination
    except in my imagination where I didn’t exist any more.
    And now I remember the last red carnation
    in the violet carpet of the sky
    among the thousands of shining points some light
    must be protecting the quiet voices of your memories
    (on the garden verandah your father is reading
    his afternoon newspaper).

    *     *     *

    I sow myself in the trench of the sea
    on whatever shores, whatever suns
    my chain remains apart from me
    I have no boundaries
    to whatever suns, whatever winds
    South Wind, South Wind
    to the tired brows -- to the feeling of the sun
    to the deep pain of nature -- to the fever of the eyes
    to the bright green flag of humanity!

  • 1951

    Whatever You Say

    Did you think perhaps that it was only to please myself
    that I acted the oaf and the grouch?
    That I sit here at night for no hidden reason
    in the freezing cold
    counting the stars like lice… What do you say?
    Didn’t it occur to you that there must be some secret reason
    for all this strangeness, for so much blackness?
    Don’t tell me, to please you, that it was by chance they began
    licking and licking the dried blood
    of Federico Garcia Lorca like mangy dogs.

    And then you tell me to sit and do something all alone
    beside the rivers and the barges.
    Federico Garcia Lorca, Federico Garcia Lorca.
    Look how we’re weighing hearts again
    and putting blood again in little bottles.
    Here, the tombs of the businessmen
    the mausoleums with their gold letters--
    the masses scattered, buried in gardens
    under the carrots and the leeks.
    Federico Garcia Lorca, Federico Garcia Lorca.

    Scalpel in the heart of night, a heart as large as a dove
    -- whatever you say
    but I murmur your name, little brother
    --my forgotten little brother
    sweet ethereal smile, my tall slim poplar
    --whatever you say.