Dead Season
1973
i
The great avenue, the great avenue
full of well-fed people was shining
on the right the buses, on the left, the pedestrians
the gutters in their turn waiting for spit
and the pee of moribund dogs
the moribund pedestrians buying death
ice-creams pumpkin seeds condoms
right there under the sign
“Shoe Shop”
I stopped suddenly to look
or rather without looking at anything in particular
maybe looking inside myself
and not finding anything
nothing at all
not lights nor shop windows nor sales
not even gutters
I thought about the great mistake
the great mistake is that I thought
the great avenue the great avenue
the bus the dogs
and the moribund.
ii.
Our age is maimed * it began proud as a peacock
with flags and drums
it breathed to death * it scattered jasmine and honey
it caressed delighted intoxicated
crowds of former slaves * now prisoners
it deceived.
iii
The other person I was, I became again
the moment when I met you
when I believed that I met you
while in reality I was living the dream
of a Cyclops
in love.
iv
You didn’t believe me * and I find that quite natural
because I know that my voice * disappears
on large horizons
in dark rooms * and in mirrors
and that saxophone
you strangled
looking over my shoulder * my forgotten life
like some garment * beside the red boat
of July.
v
The flags the flags who’s holding the flags
who’s holding the flags
the banners the cherubim
the many-colored placards
with the passwords and the keywords
the hot air words?
They move on deep into the crowds
into the crowds who are suffering too
they retreat rejoice shout
explode.
And from the thousands of conflagrations
conflagrations
nuclei
cloudbursts
history is remade
and out comes our familiar fellow
the familiar fellow
Mr Papadopoulos
the one we all know
and nobody expected.
So much wisdom so much wisdom we had
that we didn’t see
we didn’t see
--maybe we still don’t see--
our most precious creation
what cost us so dearly
it cost us so dearly
dearly and conclusively.
vi.
To learn to wait
and to wait
always learning
and always waiting
to hope
and always hoping
to wait
learning
bitterness.
vii
But when in the night the darkness recoils
wounded by the flash of distant lighting
in my lost life, lost in crowds and flashes
came a distant light with the power of the end
to signal the beginning of my life that died and lived again
always ready for the great deaths that lead us steadfastly
to the bed where all things end and all begin.
* * *
And so I suddenly the amazing vision again
the beautiful procession which was nothing other than tongues of fire
a fire that burned and was rekindled from itself
and went on, proud and meaningful
always against the wind of the stars
that whirled in the primal chaos
and sank into the crucible of the great night
that was my own soul.
* * *
How could I remain indifferent to this flaming crash
made up of my elements, elements of dream and anticipation
I was the crucible and the astral wind
I was the crash a little before the crash
and the fire and the march and the absence and the void
so that in the end I was nothing
and yet a glorious nothing
a nothing much more glorious than a thousand deaths united
almighty and splendid
while they stamp with their bloody seals
the blue vulva of life ever ready
to accept the spear of the sun which is my other self.
* * *
I saw nothing, I learned nothing, I forgot nothing
from all the nothing I now make my new face
that, too, will be a new nothing but worthy
like the bread they throw to the dogs of the highways
a moment before they smash into the wheels
and they’ll stay on their backs, stretched flat
after they writhe for a while but that is meaningless
since the bread became blood I became blood
and the wheels and the earth dry me, and the wind
of the huge trucks that drive steadily on paying no attention
loaded with deception and bodies, the indifferent passers-by
of our dead age.
Finally I saw you
it was always you first and last.
You were death precisely in order to erase everything
and so the alpha and beta could be written again
but with a new meaning, unheard of, unknown and threatening
which will finally call into question all that we have seen and not seen
whatever we have learned and above all whatever we have forgotten forever
so much so deeply and so bitterly that our memory has become the only
the memory of our mountains covered in thyme and lentisk
nests of snakes with ashy spots on green scales
that look so much like unwritten words full of dark significance
ready to spell out the meaning of love yet incomprehensible
colorless scentless invisible and moving.
* * *
You came and yet you were the same
as you would be if you were not you
exactly as you were then when I met you
and when I didn’t meet you
and I will never meet you
because I know you because I knew you and forgot you forever
so you would stay in my memory forever
shining absence and pain.
And all that became a great wound
big as a red plain
with earth of hard blood-red clay
with scant vegetation tormented by the great west wind
because the wind of the great west
that steadily murders the suns and the innocents
those who, like me, remained with their eyes wide open
bewitched by the azure in the red and in the orange
waiting in vain for the colors to speak
or to sing and be silent forever
creating the Symphony of Silence
with melodies made of silence
rhythms and harmonies from silence and tearful five-stringed instruments.
* * *
And then on the plain of my bloody sound
scorched on a thousand bulls
came the plough which has the shape of your absence
and passes and re-passes, tears me apart and casts me down
to the last extreme of feeling and not feeling
so that everything changes and the vegetation becomes one with the earth
so as to receive the seed of the first tree
the tree that will bear the first fruit
and nourish the first person
and the first knowledge.
They call you glory.
And perhaps you will never know what you always knew
precisely because you knew it before its beginning
and you will know it after its end
and so on forever and forever.
Buenos Aires, 1973.
Dead Season
i
The great avenue, the great avenue
full of well-fed people was shining
on the right the buses, on the left, the pedestrians
the gutters in their turn waiting for spit
and the pee of moribund dogs
the moribund pedestrians buying death
ice-creams pumpkin seeds condoms
right there under the sign
“Shoe Shop”
I stopped suddenly to look
or rather without looking at anything in particular
maybe looking inside myself
and not finding anything
nothing at all
not lights nor shop windows nor sales
not even gutters
I thought about the great mistake
the great mistake is that I thought
the great avenue the great avenue
the bus the dogs
and the moribund.
ii.
Our age is maimed * it began proud as a peacock
with flags and drums
it breathed to death * it scattered jasmine and honey
it caressed delighted intoxicated
crowds of former slaves * now prisoners
it deceived.
iii
The other person I was, I became again
the moment when I met you
when I believed that I met you
while in reality I was living the dream
of a Cyclops
in love.
iv
You didn’t believe me * and I find that quite natural
because I know that my voice * disappears
on large horizons
in dark rooms * and in mirrors
and that saxophone
you strangled
looking over my shoulder * my forgotten life
like some garment * beside the red boat
of July.
v
The flags the flags who’s holding the flags
who’s holding the flags
the banners the cherubim
the many-colored placards
with the passwords and the keywords
the hot air words?
They move on deep into the crowds
into the crowds who are suffering too
they retreat rejoice shout
explode.
And from the thousands of conflagrations
conflagrations
nuclei
cloudbursts
history is remade
and out comes our familiar fellow
the familiar fellow
Mr Papadopoulos
the one we all know
and nobody expected.
So much wisdom so much wisdom we had
that we didn’t see
we didn’t see
--maybe we still don’t see--
our most precious creation
what cost us so dearly
it cost us so dearly
dearly and conclusively.
vi.
To learn to wait
and to wait
always learning
and always waiting
to hope
and always hoping
to wait
learning
bitterness.
vii
But when in the night the darkness recoils
wounded by the flash of distant lighting
in my lost life, lost in crowds and flashes
came a distant light with the power of the end
to signal the beginning of my life that died and lived again
always ready for the great deaths that lead us steadfastly
to the bed where all things end and all begin.
* * *
And so I suddenly the amazing vision again
the beautiful procession which was nothing other than tongues of fire
a fire that burned and was rekindled from itself
and went on, proud and meaningful
always against the wind of the stars
that whirled in the primal chaos
and sank into the crucible of the great night
that was my own soul.
* * *
How could I remain indifferent to this flaming crash
made up of my elements, elements of dream and anticipation
I was the crucible and the astral wind
I was the crash a little before the crash
and the fire and the march and the absence and the void
so that in the end I was nothing
and yet a glorious nothing
a nothing much more glorious than a thousand deaths united
almighty and splendid
while they stamp with their bloody seals
the blue vulva of life ever ready
to accept the spear of the sun which is my other self.
* * *
I saw nothing, I learned nothing, I forgot nothing
from all the nothing I now make my new face
that, too, will be a new nothing but worthy
like the bread they throw to the dogs of the highways
a moment before they smash into the wheels
and they’ll stay on their backs, stretched flat
after they writhe for a while but that is meaningless
since the bread became blood I became blood
and the wheels and the earth dry me, and the wind
of the huge trucks that drive steadily on paying no attention
loaded with deception and bodies, the indifferent passers-by
of our dead age.
Finally I saw you
it was always you first and last.
You were death precisely in order to erase everything
and so the alpha and beta could be written again
but with a new meaning, unheard of, unknown and threatening
which will finally call into question all that we have seen and not seen
whatever we have learned and above all whatever we have forgotten forever
so much so deeply and so bitterly that our memory has become the only
the memory of our mountains covered in thyme and lentisk
nests of snakes with ashy spots on green scales
that look so much like unwritten words full of dark significance
ready to spell out the meaning of love yet incomprehensible
colorless scentless invisible and moving.
* * *
You came and yet you were the same
as you would be if you were not you
exactly as you were then when I met you
and when I didn’t meet you
and I will never meet you
because I know you because I knew you and forgot you forever
so you would stay in my memory forever
shining absence and pain.
And all that became a great wound
big as a red plain
with earth of hard blood-red clay
with scant vegetation tormented by the great west wind
because the wind of the great west
that steadily murders the suns and the innocents
those who, like me, remained with their eyes wide open
bewitched by the azure in the red and in the orange
waiting in vain for the colors to speak
or to sing and be silent forever
creating the Symphony of Silence
with melodies made of silence
rhythms and harmonies from silence and tearful five-stringed instruments.
* * *
And then on the plain of my bloody sound
scorched on a thousand bulls
came the plough which has the shape of your absence
and passes and re-passes, tears me apart and casts me down
to the last extreme of feeling and not feeling
so that everything changes and the vegetation becomes one with the earth
so as to receive the seed of the first tree
the tree that will bear the first fruit
and nourish the first person
and the first knowledge.
They call you glory.
And perhaps you will never know what you always knew
precisely because you knew it before its beginning
and you will know it after its end
and so on forever and forever.
Buenos Aires, 1973.